A Boston-based period music ensemble takes you behind the scenes of their work.
To learn more about Grand Harmonie, visit www.grandharmonie.org.
Video filmed and edited by Dave Jamrog.
By Elizabeth Erenberg
“Ni hao, Zheng Zhao,” Music Director Lawrence Golan said into the microphone at the beginning of Concert #1.
The audience erupted into applause so uproarious that it felt like a sporting event, not a classical music concert.
I was a guest flutist with the Denver Philharmonic Orchestra for their month-long tour through China, and this special moment was just the beginning.
The audience’s reaction to this one phrase made me tear up a bit. That would continue to happen for the remaining 13 concerts.
Of all the things we experienced touring this massive country, one thing remained consistent: each concert hall was state of the art. They were all very different, but their acoustics and stunning visual design made playing in them a true pleasure. This remained true even without air conditioning, which is saying a lot.
Views from the stage of each hall
Chinese audiences love encores. Once we played the final note of the printed program, the audiences leapt to their feet with wide smiles, hands clapping, heads nodding, and arms waving. The enthusiasm was electric. Their refusal to stop clapping confirmed that they expected encores. We delivered three of them, but often, that didn’t seem like enough.
When Maestro Golan finally escorted players offstage to end the concert, people ran up to us asking for autographs. Selfies were snapped by the dozens. Awe-struck children got to hold instruments for the first time in their lives.
Plain and simple, what we do matters.
5. History acknowledged and history made
One of the encores was a string arrangement of a piece titled “Going to the West Gate”. It is a historical Chinese folk song written for soldiers returning home. Most of the time, the audiences recognized the piece after the first few bars. This moment usually made for few dry eyes in the house. Here is a covert little concert video clip I took from my seat in the wind section (thus the poor angle). The end will drive the point home.
6. Being in my element
As one would expect with international travel, there were many “human experiences” on this tour, like jet lag, exhaustion, and sickness, to name a few. When all of these things seem to melt away during the performance, that’s how you know you’re in your element.
The next best thing to being at home for fireworks on July 4th is to perform in a flashmob of “Stars & Stripes Forever” in a Chinese airport!
8. What was lost in translation was found in humor
Here are a couple of the many backstage signs that had us chuckling heartily.
9. Bonding with the music
After playing the Franck Symphony 14 times, it is easy to get a little saturated with it. On the flip side, an opportunity to really bond a piece in this way is a special opportunity. You really can get something new out of a piece each time you play it.
In the past year, I got married, closed out my life Boston, and moved to a small town in Pennsylvania for my husband’s new career opportunity with the York Symphony Orchestra. Then, he and I both got invited to play on this tour.
All these radical and tumultuous life changes eventually brought about this opportunity. Being a musician was the reason, the cure, and the reward for all of it. That’s what I call #worthit.
Conductor Lidiya Yankovskaya watched the news and was ready to scream. As the refugee crisis mounts globally, but especially in the Middle East and Europe right now, American politicians and pundits voice xenophobic, anti-immigrant rhetoric with increasing volume. What she heard did not mesh with her own experience as a refugee to this country. As she discussed this with friends and colleagues, she realized many did not know her own history of being born in St. Petersburg and seeking asylum in the United States. She could not find herself in these loudly-voiced portraits of refugees. From her frustration grew the Refugee Orchestra Project.
“I decided to organize the Refugee Orchestra Project as a way to demonstrate, through music, the critical role that these individuals play in our cultural landscape,” says Yankovskaya. “American culture and society have been shaped by those who fled to this country to seek a better life. In light of the negative rhetoric we regularly read and hear in the news today, I felt it was important for all of us to once again be reminded of the essential role that refugees play in making American culture vibrant and strong.”
On May 10th 2016, dozens of musicians will come together in Cambridge, MA to raise support for refugees worldwide. This large-scale performance loudly proclaims these individuals’ importance to our cultural wealth. Instrumentalists and singers whose families have fled to the U.S. to escape violence and persecution will perform works by composers who were themselves refugees, and music that thematizes the refugee experience. A concert highlight will be “God Bless America.” This iconic song was written in 1918 by Irving Berlin, a Jewish and Russian refugee and composer, performed by the entire orchestra and chorus, joined by Koleinu, Boston’s Jewish Community Chorus.
Featured soloists include Yelena Dudochkin – Ukrainian-American soprano and principal with New Opera NYC, Lubana Al Quntar – Acclaimed soprano awarded the title of Syria’s first Opera Singer, Barbara Quintiliani – Award-winning soprano from Quincy, MA and the first American woman in twenty-five years to win the prestigious Francisco Viñas Singing Competition in Barcelona, Spain, and Sammy Andonian – Boston-based 17-year-old Armenian violinist, winner of New England Philharmonic’s 19th Annual Young Artist Competition, and 2015 Boston Pops Orchestra soloist.
Admission to the concerts is free, with all proceeds from suggested donations given to International Rescue Committee (IRC) and Hebrew Immigrant Aid Society (HIAS) in support of asylum seekers abroad. In addition to raising funds for organizations supporting refugees worldwide, the Refugee Orchestra Project gives voice to refugees in the U.S. Our concert builds support, human connections, and understanding within the larger community.
Stand with refugees worldwide. Come to the concert in Cambridge and tell your friends about an upcoming one in New York City. Visit the website www.refugeeorchestraproject.org to learn more.
Tuesday, May 10th, 2016 at 8:00PM
First Church Cambridge
11 Garden Street
Cambridge, MA 02138