When we formed The Kraken Quartet, we had no master plan for where the group would go. Like so many other college chamber groups, we had no five-year goals, no catalogue of repertoire, and certainly no major notoriety. We were just a couple of friends who knew we loved playing music together. Despite this lack of long-term direction, we had one crucial characteristic that tied our group together: the willingness to try anything. So, for the first few years of our existence, The Kraken Quartet gave everything a shot.
“I really want to play like that, but I’m just scared and I don’t know where to start…” These are the words an Eastman student said to me about playing bluegrass recently. Over my past three years at the Eastman School of Music, I have heard a variation of that phrase from classical performance majors countless times. “How do you do that?” “I wish I started playing like that earlier.” “I wish I didn’t have to depend on a score all of the time.”
After witnessing EFME’s Executive Director Michael Staffeldt and his two-man team perform the Herculean task of organizing, administering, and conducting a breadth of musicians and technicians, I was astounded by both the caliber of musicianship, and the remarkably high production value of the event. Immediately following that dress rehearsal I pulled Michael aside, congratulated him, and expressed my desire to participate in EFME’s future.